Rounded

Wednesday, April 29, 2009

Week 2: "Electroliquid Aggregation"

My Electroliquid Aggregation Quote combines Client 1: Alfred Nobel and Client 2: Jacques-Yves Cousteau, quotes:
"A scientist is a curious man looking through a kehole of nature to see whats going on, so if 1 idea can work out of a thousand i will be satisfies".

Tuesday, April 28, 2009

Experiment 2: Week 1 - Client 1: 9 Axonometric Drawings.

Client 1: Alfred Nobel.
The quote I chose was "If I have a thousand ideas and only one turns out to be good I am satisfied".

Drawing No. 1.

Drawing No. 2.

Drawings 3 and 4.

Drawings 5 to 8.
Drawings 9 and 10.

Monday, April 27, 2009

Experiement 2: Week 1 - Client 2: 9 Axonometric Drawings.

Client 2: Jacques-Yves Cousteau.
The Quote I Chose: "What is a scientist after all? It is a curious man looking through a keyhole, the keyhole of nature, trying to know whats going on".

Drawing No. 1.

Drawings 2 and 3.

Drawings 4 to 7.

Drawings 8 and 9.
Drawing 10.

Sunday, April 12, 2009

New Experiement 2; Find 3 Quotes From Our 3 Clients

Client 1: Keith H.S.Campbell.

This Is A Photo Of Keith H.S.Campbell, I Have Chosen 2 Quotes: 1st Quote: "The fact that a lamb was derived from an adult cell confirms that differentiation of that cell did not involve the irreversible modification of genetic material required for development to term." 2nd Quote:"The word cloning may be wrong, they are only identical in the sequence and structure of the DNA"
Referenced Back To Daniel L. Hartl and Elizabeth W. Jones-Daniel, L. Hartl and Elizabeth, W. Jones,Genetics, Jones and Bartlett P ,Sudbury
Was Born In 1954 And Grew Up In Birmingham In England And Perth Scotland. He Became An English Biologist And Was Renown For Having A Main Role In A Team That In 1966 First Clonned A Mammal; A Finn Dorset Lamb Which They Named Dolly. A"The fact that a lamb was derived from an adult cell confirms that differentiation of that cell did not involve the irreversible modification of genetic material required for development to term." by Daniel L. Hartl and Elizabeth W. Jones-Daniel, L. Hartl and Elizabeth, W. Jones,Genetics, Jones and Bartlett P Sudbury

New Experiement 2; Find 3 Quotes From Our 3 Clients

Photo Of Alfred Nobel

This Is A Picture Of Alfred Nobel. The Quote I Chose Was "If I have a thousand ideas and only one turns out to be good I am satisfied". Born In Sweden On The 21st Of October 1833. Died In Italy On 10 December 1896. Was A Swedish Chemist, Engineer, Innovator, Armaments Manufacture And The Inventor Of Dynamite. He Used His Fortune To Institute The Nobel Prizes Which Still Exist Today. Referenced From; http://www.rightwords.eu/quotes/quote-details/26497/if-i-have-a-thousand-ideas-and-only-one-turns-out-...

New Experiement 2; Find 3 Quotes From Our 3 Clients

Photo Of Jacques-Yves Cousteau;

The Quote I Choose: "What is a scientist after all? It is a curious man looking through a keyhole, the keyhole of nature, trying to know whats going on",

Born 11 June 1910 And Passed 25 June 1997, Was Of French Descent, He Was A Naval Officer, Scientist, Photographer, Film Maker, Innovator, Ecologist, Explorer, Researcher who studied The Sea And All Forms Of Life In Water.

He was commonly known as "le Commandant Cousteau" or "Captain Cousteau".

Reference: http://www.firstscience.com/home/poems-and-quotes/quotes/jacques-yves-cousteau-quote_2365.html

Thursday, April 9, 2009

Model Perspectives. .

Perspective Models Of Completed Model.
This model is the last I've done work on and have resolved some of the design issues, I've done a section view through the below ground studio.
Bellow is a left hand side view of my completed model I have added other design features in order to have made my model a working model as it has been set out to be a Art Gallery and Studio bellow ground and above ground studio.
The next perspective underneath is from a right hand side angle to show how the resolved wall issues in my design looks like in silhouette. The next model is showing a view from the left side of the model and has a good perspective that allows you to see how the resolution of my model looks like . This next perspective bellow shows the back angle of my model and the way that it looks from having to add some outside feature walls that were not originally planned on my sketch in my notebook.

Sketch-Up Model.

Model Perspective Solutions and Endings.
This Perspective view is to show how my model looked without much of a solution, as to how I would, in keeping with my sketch and original design features, taken the right hand side of the exhibition ground level and also connect up to the upper studio level.
The perspective shown bellow is the decision I had made to my design as to how I was going to add to the overall model but still not take much away from the main feature from my original sketches. I had chosen to use more glazing on this left side of the model. The reason I had made that decision was because the left side was purely modeled up due to the positioning of the stairs leading from Bellow Ground Studio to the exhibition space on Ground Floor Level, and that would be the entrance foyer area, before you would see the works. If this was done at a more realistic level I wouldn't have to have thought of gone into the rules and regulations and studies on how much natural or artificial light should be allowed or used, in order not to have any affect on destroying or fading or any type of degrade or affects on works of art. The perspectives bellow are showing the whole outcome of my model and the glazing I was referring to above, It is the part of the design I didn't anticipate on having done, but after working on it I'm happy with the overall look of the design.

Model Perspectives

Perspectives.
This perspective view of my Art Gallery Model shows that I have used a wide range of materials, I have used some glazing on panels throughout my model, some of which in this view show that the glazing stretches out along the roof design. This allows for some natural lighting through to the upper level studio, there is some roofing that stretches along the Ground level being the Exhibition Space, and I have carefully placed some other glazing on walls that you will see in my other perspectives. The view in this perspective bellow, looks from the left side of my model, into the Ground Level Exhibition Space, even through I have a design that has alot of curves I have made sure that the curves are not carried out into the space that is within the gallery and studios. Carefully I planned to have enough uninterrupted wall hanging space for exhibitions, as well as enough room to have non-permanent partitions put up for any exhibitions that might need them, there is also enough room to allow for type of sculptural art or 3D art that might be exhibited. I choose to use some corrugated sheets as some change in texture and materials along the wall that is seen above the transparent glass panels along the stairs. I have also used the same material as balustrades on the above studio internal balcony that looks down from the side of the stairs. I have created the stairs of transparent glazing with Matt Laminated Treads, the panels that I have sketched out with my stair sections in my earlier blog visuals, are of the 36 Materials I had detailed in the class project in Week 3, he Material I classified under "Top Materials" and named "Transparencies" shown left. Also in this perspective you can see my two artists choice of art works being exhibited . This perspective is viewed from the back right corner, I have chosen to balance out my design feature used at the front of the gallery that I had done from my sketches in my notebook, with some bulk shapes keeping with the shape in certain areas I have come up with this type of design, which is basically incorporated with some glazing glazing in the corner. This view shows the perspective from the opposite angle and gives a good view of my structural design and how it is working with my original and feature sketch, and some of the glazing.

Friday, April 3, 2009

Mixed Model Perspectives.

Frontal Perspectives With Material (From Week/Task 3) Details .

Looking From Front Perspective. Looking From Back Perspective.

Model Perspectives With Minimal Materials From Task/Week 3.

Looking Into Exhibition Space On Ground Floor (FFL). Looking Up The Stairs From Bottom Studio.

Frontal Perspective With Details.
Model Perspectives Using Mainly Materials From Task/Week 3.

Week/Task 4: 3 Animations + 1

WEEK 3 TASK: 36 Features Of Materials; And Applied To Our Sketch-Up Model.

These Are My Perspectives With The Material Features Applied To Them.
This Is A Perspective Of The Lower Art Studio I Used The 'Inter grated' Material For The Inner Walls, and For The Reflective Glass Panels I Used 'Woven' Material.
This Material Above Is Described As 'Integrated'.
This Material Above Is Description Was' Woven'.

This Is A Perspective View Of The Upper Studio I Used 3 Of My Material Features In This Section Of The Studio; Showing The 'Compiled' Material Applied To The Outer Walls, The Homogeneous' Material Was Applied To The Flooring and I Used The 'Scratched' Material On the Inner-Walls Of The Studio.

The Word To Describe This Was 'Scratched'.

The Descriptive Word For This Material Was 'Homogeneous'.

The Description Used For This Material Was 'Compiled'.

This Perspective Shows The Exhibition Space With The 'Amorphous' Material Applied To The Inner Walls.
This Material Is "Amorphous' and I've Applied To The Exhibition Space.
In Groups of 5 We Had To Come Up With 36 Words To Describe The Features/Qualities/Properties Of Materials. Once We Had A List We Had To Separated Them Into Categorise ; Above; Bellow; and Between. In Squares Of 6 x 6 Units In Our Notebooks We Needed To Draw A Section That Represents Each Of The Words.
Then We Had To Apply And Incorporate The Chosen Material From Our Sketches, Into Our Sketch-Up Models. These Are Mine:
Bottom Materials;
Middle Materials; Bottom Materials;
Top Materials; Middle Materials;
Top Materials;